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Each year there are six section themes for designers to be inspired by when entering the competition. This includes three recurring sections; Aotearoa, Avant-garde and Open, and an additional three sections which are unique to each annual competition.
Wanton Widow examines the vast differences between rich and poor in the Victorian age and asks us to think about its relevance today.
The China cabinet represents the rich as it was a means for displaying ones’ wealth. The singer sewing machine represents the working class and the poor.
The designer, Kate, wanted this garment to represent the dark and drab of the era - something that looked like it had been in a cupboard all this time and dragged out for the show. Something that represented the industrial, working to middle class.
Each year there are six section themes for designers to create for, and then these six worlds are displayed on stage.In 2022, the Aotearoa Section was heralded by kapa haka performers, Ngāti Pōneke, and five giant Kaitiaki, then a colourful celebration of our international community and cultures before we then saw the fantastic Aotearoa Section garments take the stage.
Each year there are six section themes for designers to create for, and then these six worlds are displayed on stage.In 2022, the Aotearoa Section was heralded by kapa haka performers, Ngāti Pōneke, and five giant Kaitiaki, then a colourful celebration of our international community and cultures before we then saw the fantastic Aotearoa Section garments take the stage.
Kate MacKenzie is among 21 award winners in the 2022 World of WearableArt Awards Competition, in which more than NZD$185,000 of prize money was on offer.